Known predominantly as a painter, John Nixon was also an inventive and prolific printmaker. From 1982 to 2020, Nixon produced over 500 printed images in relief, intaglio, stencil, and planographic processes. From 2015 until his passing in 2020, Nixon worked with printer/publisher Negative Press.

This publication documents two exhibitions, featuring works made throughout the artist's career, alongside personal responses to the prints by Sue Cramer, Elizabeth Boon, and Trent Walter. Limited edition of 300.

John Nixon was a seminal figure in contemporary Australian abstraction. From 1968, his work was dedicated to the ongoing experimentation, analysis, and development of radical modernism, minimalism, the monochrome, constructivism, non-objective art, and the ready-made, which were key reference points in his work.

Experimental Painting Workshop (EPW), which the artist named in 1990 but covers works dating back to 1968, formed the basis of Nixon's rigorous and long-standing intellectual investigation into the making of art, which over time expanded to encompass not only painting but also collage, photography, video, dance, and experimental music performance.

Nixon exhibited regularly and widely throughout his career. He held more than 70 solo exhibitions since 2001, including at the Museum Gegenstandsfreier Kunst Otterndorf, Otterndorf, and the Auckland Art Gallery, Auckland. He represented Australia at Documenta 7, Kassel, Germany, in 1982.

Nixon's works are held in every major state museum collection in Australia, and selected international public collections include: Solomon R. Guggenheim Museum, New York; Museum Sztuki, Lodz; Foire National d'Art Contemporain, Paris; Stiftung für Konkrete Kunst, Reutlingen; The Artists Museum, Lodz; Herning Kunstmuseum, Denmark; Daimler Chrysler Collection, Berlin; Kunstmuseum Esbjerg, Denmark; Espace d'Art Contemporain, Demigny; and National Gallery of Contemporary Art, Seoul.